Irad Rubinstein

The Cameri Theatre's adaptation of 'Agamemnon' moves the familiar Greek tragedy to 2026, turning it into a thriller set entirely on a plane, where the king must decide whether to sacrifice his son in exchange for the release of prisoners. Dror Keren and Michal Uziel provide powerful moments, but the overload of analogies to Israeli politics and contemporary markers weakens the drama and leaves...